The resulting knee injury put an end to the scholarship, keeping Butterfield in Chicago, where he enrolled in the University of Illinois. One of things that helped me in learning to play the harmonica was that I realized that I could never speak the way any other individual spoke on the harmonica. Maria Muldaur was in the audience that day and recalls the palpable electricity. [40] In his choice of notes he has been compared to Big Walter Horton, but he was never seen as an imitator of any particular harp player. The Paul Butterfield Blues Band album would eventually take the number eleven spot on Downbeat magazines All-Time Top 50 Blues albums. After the breakup of the group in 1971, Butterfield continued to tour and record with the band Paul Butterfield's Better Days, with his mentor Muddy Waters, and with members of the roots-rock group the Band. The band was on its way, as all over America, people were discovering a new kind of blues unlike anything they had heard before. ng bi lc Thng Mt 19, 2023. It was Paul Rothchild who introduced Paul Butterfield to Albert Grossman. Paul Butterfield was born on the 17th of December, 1942. 1972: The Paul Butterfield Blues Band - An Offer You Can't Refuse. As Trevor Lawrence put it, He was a real blues guy., Original band member Elvin Bishop recalls that, when he first met him, Butter as his friends called him primarily played the guitar, but that within six months of picking up the harmonica, he was a natural genius on the instrument, getting way good in a short amount of time.. It was recorded at the famed Chess Studios on 2120 South Michigan Avenue in Chicago. At his best, Paul Butterfield loved long and hard, won the respect and admiration of those he worked with and turned the genre upside down, which, as it turns out, was the way he held his harmonica. He offered Butterfield a steady four-nights-a-week gig. Lorna was preceded in death by her husband Ned Butterfield, son Todd, sister Susan. They called themselves what else but Nick and Paul, with Nick on guitar, and Paul doing double duty, singing and wowing crowds with his electrifying way around the diatonic. We also learn that he wasnt into chit-chat, tending friendships, accepting things that were unacceptable or drawing lines in the sand, whether you were talking music or race relations. [6] By chance, producer Rothchild witnessed one of their performances and was impressed by the chemistry between the two. They moved to Woodstock, New York, where Albert Grossman had a state-of-the-art recording studio, in 1971. January 19, 2023. lee butterfield son of paul butterfieldbeck modern guilt acoustic. The pair were soon performing as Nick and Paul in college-area coffee houses.[5]. Stalwarts of the old school sounds balked at the idea, but Yarrow, who seemingly had a lot to lose by changing the course of folk music, urged them to look at the bigger picture, realizing that if they kept on as they were, ignoring the way the genre was trending, there might not be a Newport Folk Festival in 66. Every live music event in and around Ulster County for March 1-7, One of the Hudson Valleys most important art collections is now on display in New Paltz, Bard festival celebrates enigmatic Hungarian composer Gyrgy Kurtg, Every live music event in and around Ulster County, Feb. 22-28, As many couples turn to DJs, musicians reflect on their unique perspective from the stage, Eight students injured in Kingston school bus accident, Father and son arrested for manslaughter in Saugerties, After fire, Kingston wine and spirit store asks community for help, Mexican Kitchen chef brings Cocina Mexicana menu to New Paltzs Smash Shack, New Paltz officials concerned about large-scale development proposal, Teens broke into Rosendale mans home and assaulted him, police say. He stood up for what he believed in., A poignant moment in the film comes when Mark Naftalin recalls a conversation between Butterfield and drummer Billy Davenport who was concerned about what he, as an African American appearing in an integrated band, might face on the road. RM 2D34167 - Crystal Palace's Danny Butterfield (L) and Norwich City's Paul McVeigh battle for the ball during their Nationwide League Division One match at Crystal Palace's Selhurst Park ground in London. [18] Butterfield and Mayall contributed vocals, and Butterfield's Chicago-style blues harp was featured. Paul Butterfield was the first white harmonica player to develop a style original and powerful enough to place him among the true blues greats. He explored the blues scene in his native Chicago, where he was able to meet Muddy Waters and other blues greats who provided encouragement and a chance to join in the jam sessions . The Paul Butterfield Blues Band, June 1967 on stage at the Monterey International Pop Festival at the Monterey County Fairgrounds in Monterey, California, This new configuration was on display at the Monterey International Pop Festival that year, as well as on the bands next album, Resurrection of Pigboy Crabshaw, which saw Phillip Wilson (drums) and David Sanborn (alto saxophone) joining the group. To capture their sound better, Rothchild convinced Elektra president Jac Holzman to record a live album. [9] Their first attempt to record an album, in December 1964, did not meet Rothchild's expectations, although an early version of "Born in Chicago", written by Gravenites, was included on the 1965 Elektra sampler Folksong '65 and created interest in the band (additional early recordings were released on the Elektra compilation What's Shakin' in 1966 and The Original Lost Elektra Sessions in 1995). New York and began enjoying family life with his second wife Kathy and their new infant son, Lee. The fact that color didnt enter into the equation on either side of the bandstand was, in itself, quite remarkable. Though many would argue that Paul Butterfield was a game changer, innovator and rule-breaker, taking the harmonica and the blues to a whole new . According to Maria Muldaur, she and her husband were frequent dinner guests, which usually involved sitting around a piano and singing songs. Musician Paul Butterfield 1942 - 1987) of the Paul Butterfield Blues Band at the Cafe Au Go Go in Greenwich Village, New York City, 27th June 1967. Dr. Lee Butterfield, MD is a cardiology specialist in Varnville, SC. As Naftalin tells it, Paul said to him, Where you cant go, we wont go., It meant something to him, says Naftalin. Holzman took note, offering Paul a contract, something Peter says his brother had never envisioned happening. Cookies He just destroyed them. But the ride was over. February 27, 2023; cameron norrie nationality; adikam pharaoh of egypt . But, as those who were there note, he was both welcomed and encouraged, not only by Waters, but the likes of Howlin Wolf and Little Walter. The band performed seven songs, and although its performance did not appear in the film Woodstock, one song, "Love March", was included on the album Woodstock: Music from the Original Soundtrack and More, released in 1970. At the end of his segment, he performed "Born in Chicago" with the house band.[15]. Not to worry; Rothchilds influence eased the way, setting the wheels in motion that would make the hot band even hotter. A note on the albums back cover read: We suggest that you play this record at the highest possible volume in order to fully appreciate the sound of the Paul Butterfield Blues Band., Born in Chicago, with Paul Butterfield, Rick Danko and Blondie Chaplin, The first cut on the album, Born in Chicago, would wind up on a sampler album that introduced a broader audience to the bands music. [29] Butterfield kept up his association with former members of the Band, touring and recording with Levon Helm and the RCO All Stars in 1977[7] and touring with Rick Danko in 1979. More than one person in the film notes that he wasnt warm and fuzzy their term, not ours. [3] The album was not embraced by critics or long-time fans;[24] however, it reached number 102 in the Billboard album chart. In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West in San Francisco, the Fillmore East in New York City, the Monterey Pop Festival, and Woodstock. A leading, independent offshore bank and trust company. 1972: The Paul Butterfield Blues Band - Golden Butter (The Best of) 1973: Paul Butterfield's Better Days - Better Days. lee butterfield son of paul butterfield. [43] Writer and AllMusic founder Michael Erlewine, who knew Butterfield early in his recording career, described him as "always intense, somewhat remote, and even, on occasion, downright unfriendly". As for the films title Warren says it comes from something Butterfield said as part of that series on Homespun Tapes. The following year My Own Dream was released, taking yet another step back from the sound Butterfield had built his career on. Shortly after that first meeting, the two hit the ground running, with Warren taking on the role of executive producer, and Anderson wearing a variety of hats: writing, directing, editing, narrating and co-producing the film. "[12], Beginning in 1980, Paul Butterfield underwent several surgical procedures to relieve his peritonitis, a serious and painful inflammation of the intestines. In the summer of 1969, the band was invited to Woodstock, where they were well-received. Big Walter Horton & Paul Butterfield - An Offer You Can't Refuse - Full Album. All the time. And it happened really fast And thats a huge blow I dont think Paul ever recovered from that.. Paul Butterfield - Day To Day (K2 HD Mastering) [Blues Rock] (1975) 3:16. A 1984 live performance with Danko and Richard Manuel was recorded and released as Live at the Lonestar in 2011. Got something to say? Check out my free beginners kick-start course. Enter your email address and hit Grab It to get started. Disregarding doctors orders, he checked himself out as soon as he was able, and flew back to LA, where he would die a week later from what was officially determined to be an accidental drug overdose. I met him and we talked, and I met other family members, she says, and the idea of having a documentary out there that would cement his legacy became a mission for me. [12] Despite limited exposure on the first night and a dismissive introduction the following day by the folklorist and blues researcher Alan Lomax,[13][a] the band was able to attract an unusually large audience for a workshop performance. The resulting film, unlike some brushed-over, high-gloss, bio-pics, tells it like it was, giving the viewer a full picture of this complicated but gifted artist. Lynne Nasoe, once married to Butterfield Blues Band drummer Phil Wilson, still speaks in awe about how much fun, and how bright, the boss was back when everyone kept moving from coast to coast with recording and concert gigs, kept on time by Paul. [9] On March 28, 1966, Butterfield appeared on the CBS game show To Tell the Truth. For more information on Horn from the Heart: The Paul Butterfield Story, go to www.hornfromtheheart.com. The marriage was over. Albums The Paul Butterfield Blues Band, East-West, The Resurrection of Pigboy Crabshaw, Sometimes I Just Feel Like Smilin', Keep On Moving, Put It in Your Your Ear, Live at Winterland Ballroom, It All Comes Back, North South, In My Own Dream, The Original Lost Elektra Sessions, Live New York 1970, Better Days, The Legendary Paul Butterfield Rides Again, Live from the Blue Note, Boulder Co . And though the instrument was never a part of the music he would later play on stage or record, there are those who recall him taking his flute with him on the road and playing it backstage or in his hotel room every now and again. The clips and quotes and makeshift travelogue of Butterfields life in this article are but a sampling of what youll find in the film. King, Paul Shaffer, Maria and Geoffrey Muldaur, Bonnie Raitt, Todd Rundgren, Jim Kweskin, Michael Bloomfield, Elvin Bishop, and other band and family members, co-workers and neighbors, each with his or her own take on the man and his music. [b], In spite of its success, the Butterfield Blues Band soon changed its lineup. In 19721973, the group recorded the albums Paul Butterfield's Better Days and It All Comes Back, released by Albert Grossman's Bearsville Records. A live performance from one of the albums best known cuts, Hes Got All the Whiskey (LIVE) 1973, at the Record Plant, Sausalito, CA, December 30th, 1973. Sadly, this time around Paul would be on the other side of the curve, with the sounds of the 70s lighting peoples fire. [12] Among those who took notice was festival regular Bob Dylan, who invited the band to back him for his first live electric performance. Recorded in 1973, Winterland Ballroom would be shelved until 1999. The album Keep On Moving, with only Butterfield remaining from the original lineup, was released in 1969. His band, as tight as any around town, was always in demandas was his own demon harp playing and tried and true blues chops. Enter John Anderson, a seasoned filmmaker with an Emmy and number of nominations to his credit, and a resume that included work for nearly every major network and studio from PBS to Disney. Michael Lang recalls going to see him one Thanksgiving at Benedictine Hospital, where he was for some illness. The band was renamed the Paul Butterfield Blues Band. Throughout Horn From the Heart, we hear former band members talking about how much they loved playing with Paul. It was a very solitary effort. Happy Traum, musician and founder of Homespun Tapes, remembers the day Paul and John Sebastian two of the harmonicas greatest players came into Grossmans studio and put down a track Traum describes as the most beyond-belief version of Amazing Grace.. Exposed to music at an early age, he studied classical flute with Walfrid Kujala, of the Chicago Symphony Orchestra. [12] At the last minute, the band was booked to perform at the Newport Folk Festival in July 1965. He was released in 1962 after 1 year, 9 months and 10 days in prison. RUPERT - Lee Roy Butterfield, 62, of Rupert, passed away Friday, August 26, 2016, at his home. Butterfield performs Why Do People Act Like That from The Legendary Paul Butterfield Rides Again. Aside from "rank[ing] among the most influential harp players in the Blues",[32] Youll get 3 free video lessons where youll learn. Also find Paul Butterfield hats, coffee mugs and merchandise. Bassist Jerome Arnold and drummer Sam Lay were hired from Howlin' Wolf's backing band . This was in 1960 or 1961. [12], The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band, was finally successfully recorded in mid-1965 and released later that year. [6] They were scheduled as the opening act the first night when the gates opened and again the next afternoon in an urban blues workshop at the festival. And, thanks to Sandra Warren, John Anderson and Abramorama, the wait is over. One day, while listening to Sirius radio, she heard the song that first made her aware of Paul Butterfield and the Paul Butterfield Blues Band. But as always, he was good to see. [9], During their engagement at Big John's, Butterfield met and occasionally sat in with guitarist Mike Bloomfield, who was also playing at the club. Paul Butterfield, Stevie Ray Vaughan and Albert King From 1987s B.B. Born in Chicago-Paul Butterfield Blues Band. And having come up in the harshness of the Chicago blues scene in the 1960s. When the band wasnt on the road, it was in the studio recording a second album, the eclectically diverse East-West. There was no need to look any further; Horn from the Heart it would be. Resurrection of Pigboy Crabshaw saw the band moving farther away from its Chicago blues roots, and closer to the more commercial brassy sounds of the day. [44] His last solo album was released by Amherst Records. Links, Are you a beginner or struggling to sound good on harmonica? The album consists of more varied material, with the band's interpretations of blues (Robert Johnson's "Walkin' Blues"), rock (Michael Nesmith's "Mary, Mary"), R&B (Allen Toussaint's "Get Out of My Life, Woman"), and jazz selections (Nat Adderley's "Work Song"). Despite everything, Paul Butterfield managed to complete the North-South album, hoping that it would duplicate the success of the similarly-titled East-West some 14 years before, but critics were less than thrilled. The band did not last to record a third studio album, but its album Live at Winterland Ballroom, recorded in 1973, was released in 1999. [8] Reportedly left-handed, he held the harmonica in a manner opposite that of a right-handed player, i.e., in his right hand, upside down (with the low notes to the right), using his left hand for muting effects. Age Guide: 55-59. [13][14] The performance was not well received by some and generated a controversy,[3] but it was a watershed event and brought the band to the attention of a much larger audience. Grossman managed Bob Dylan and Peter Paul and Mary, and took the young band leader under his wing. The Butterfield Blues Band was invited to perform at the Woodstock Festival on August 18, 1969. I saw him at the Pops Festival in 1969, he says, and his intensity stayed with me.. He would spend the next two years working solo or as a sideman or session player, appearing on among other artists a Bonnie Raitt album, and Muddy Waters Woodstock. Bloomfield was a killer guitarist and, impressed, Rothchild urged Paul to take him on, but Butterfield said he had tried and failed. Eventually, he took to touring with The Bands Rick Danko after his main gig itself splintered. And what a concert it was, with Butterfield, Bloomfield, James Cotton, and Duck Dunn headlining, and a long list of great bluesmen including his old friend and mentor, Muddy Waters. Now a documentary film, Horn from the Heart, offers up a wide and glorious assemblage of musicians, friends, neighbors and family members, anxious to share their memories and secure Butterfields place in the world of music. Happy would later record Paul talking about the harmonica, the players he admired and the way they and he approached their music. Paul Butterfield and John Sebastian from the 1977 LP More Music from Mud Acres. And he wasnt out for the glory, which is to say that when it came to blowing his own horn, he wasnt into self-promotion. Recalling how Butterfield had changed the way she thought about music, and the contributions he had made to the blues, she started poking around the Internet and was surprised to see that there was just a smattering of archival footage and audio recordings other than his albums, and not a single book or film devoted solely to his life. sunnyside dispensary champaign menu pick; wyndham hotels in norway [14], In 2017, a documentary titled Horn from the Heart: the Paul Butterfield Story premiered at the Newport Beach Film Festival. It was there that he met Nick Gravenites, a young songwriter/guitar player who shared his love of the blues. East-West reached number 65 in the album chart. T&C Lee Butterfield (son of Paul) with Director John Anderson at the World Premiere of Horn from the Heart: The Paul Butterfield Story, The Newport Beach Film Festival Though many would argue that Paul Butterfield was a game changer, innovator and rule-breaker, taking the harmonica and the blues to a whole new level, there was very little beyond his recordings to document his life. [28] The album was recorded at Levon Helm's Woodstock studio with Garth Hudson and members of Waters's touring band. [33] AllMusic critic Steve Huey commented, It's impossible to overestimate the importance of the doors Butterfield opened: before he came to prominence, white American musicians treated the blues with cautious respect, afraid of coming off as inauthentic. [11] Beginning with album The Resurrection of Pigboy Crabshaw, he used an acoustic harmonica style, following his shift to a more R&B-based approach.[6]. An autopsy by the county coroner concluded that he was the victim of an accidental drug overdose, with "significant levels of morphine (heroin), codeine, the tranquilizer Librium and a trace of alcohol. These recordings also failed to satisfy Rothchild, but the group's appearances at the club brought them to the attention of the East Coast music community. What he was, was in it for the music. Jim Kweskin, whose jug-band music would later captivate the Boston college crowd, met the then 19-year-old while on a visit to Chicago, where Butterfield introduced him to the music of some of the towns greatest blues players, among them Muddy Waters. All the way. In 2005, the Paul Butterfield Fund and Society was founded. He just went for it and took it all in, and he embodied the essence of what the blues was all about. Those who were around at the very beginning of that relationship recall how totally absorbed he was in learning the ins and outs of the instrument that sang to him. Everything he had been working towards was now in jeopardy. For those who hold the instrument close to their heart, Horn with a Heart is a must-see. Paul got in his Jeep and went back down the mountain. His initial recordings from the mid-60s featuring the legendary 'Paul Butterfield Blues Band' were eclectic, ground breaking tracks fusing electric blues with rock & roll, psychedelia, jazz and even Indian classical music. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. Jazz drummer Billy Davenport was invited to replace Lay, who was ailing. Years later, time would not be as kind. [19] The Resurrection of Pigboy Crabshaw was Butterfield's highest-charting album, reaching number 52 on the album chart. Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. It was like one of those scenes from The Godfather, he said. [32] The Rock and Roll Hall of Fame inducted the Paul Butterfield Blues Band in 2015. I walked these long empty hallways until I found him all alone in this one room. A live double album by the Butterfield Blues Band, Live, was recorded March 2122, 1970, at The Troubadour, in West Hollywood, California. Calling the agent who booked the bands travel, he learned that Albert Grossman hadnt been paying the bills for a good while and any travel plans were on hold. King TV Special in April of 1987. 1976: Paul Butterfield - Put It In Your Ear. A month later, after performing at a Pittsburgh club the night before with Rick Danko, Paul Butterfield was found unconscious in his hotel room and rushed to the hospital. She is survived by her . [34] Directed by John Anderson and produced by Sandra Warren,[35] it won the Outstanding Achievement Award in Filmmaking: Editing. The sound was ferocious.. 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